Quick answer: Conservation rooflights

Can a conservation rooflight go in a peg-tile roof?

The short answer

Yes, with a flashing made for clay peg tiles and an opening planned around the tile courses. Peg tiles are small, laid in overlapping rows, so the unit is chosen and positioned to disturb as few of them as possible, and the original tiles go back around it. The result is a thin dark rectangle in the slope, set low so it does not break the line of the roof.

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What peg tiles ask of the unit

A peg tile roof is built from hundreds of small clay tiles, each hung from a batten and overlapped by the rows above. The surface is slightly uneven, the colours drift from tile to tile, and the rows run in strict lines up the slope. A rooflight cut into that has to follow the lines or it shows.

Large flat slates or big concrete tiles are forgiving, because one cut covers a wide patch. Small clay tiles are not. A frame that falls a few centimetres off the courses leaves rows of half tiles around it, and the eye finds them at once from the lane. So the size of the unit is chosen from the roof, not the other way round: we match the frame to a whole number of rows and the width between rafters.

The slope also matters. A rear or side slope that cannot be seen from the road is the easier home for a unit, and the front slope of an older house is where we are most careful about frame width and colour.

Features of a peg tile roof and what each decides
FeatureWhat it decides
Batten spacingThe height of the opening, so cut rows are kept to a minimum
Rafter spacingThe width of the unit that fits without extra timber work
Hips and ridge tilesHow close to the edge of the slope the unit can sit
Colour and moss on the tilesWhich frame colour will sit in with the slope

Lifting the tiles and keeping them

Old clay tiles break more readily than new ones. Each is held by a nib over the batten or by a peg, and weathered edges can chip when a tile is eased up. We lift them by hand, row by row, and stack them in order. Sound ones go back in the same place. Because a few will not survive, we look for spares that came off the same roof, from a hidden slope or a section the unit replaces, before anyone sources tiles from elsewhere.

New tiles beside old ones show as pale patches for years, so that source of spares matters. If the roof has none, we agree what to do before the work starts. Mortar on hips and ridges is left alone unless it is loose, so the line of the roof stays as it was.

Tile nibs, battens and the width between rafters set the opening

The flashing around a clay tile

The flashing keeps rain out at the edges of the opening. On a plain tile roof the sides are normally dressed with soakers, lead or metal pieces that interleave with the rows of tiles, and the top is covered by a gutter that carries water around the frame. Along the bottom, an apron laps over the tiles below.

A flashing kit made for large profiled tiles will not follow a peg tile roof, which is one reason a standard kit can look wrong on an older house. Some conservation and heritage-style units can take a flashing suited to plain tiles or a formed lead detail, and we check which for the unit chosen. We choose the arrangement for the tile type and the pitch of the slope. Slope, tile type and the age of the roof all change the detail, and flashings on Kent roofs goes through the variations.

Lead needs room to lie flat against the tiles, so the unit must not crowd the nearest hip or the edge of the slope. Where it would, we move it a course or two, or choose a narrower frame, and we confirm the position on the roof itself before anything is ordered.

Peg tiles, moss and old roofs

Will the new rooflight look out of place among old tiles?

A slim, dark unit set low in the slope sits closer to the tile line than a standard white-framed kerb unit, and we pick the frame colour against your actual tiles. Whether it suits your roof is easier to judge with a sample held against it.

What happens to tiles that crack when they are lifted?

We replace them with spares taken from the same roof where we can, such as a slope that is out of sight. Where none exist, we agree the alternative with you in writing before the job starts.

Does a hand-made clay tile roof need a different unit from a machine-made one?

The unit stays the same, but the flashing detail and the opening are set out again for the tile size and the courses. Hand-made tiles also vary in thickness, which the flashing has to allow for.

Which slope should the rooflight go on?

Often the rear, where the road cannot see it, but the right slope depends on where the room beneath needs light and what the rafters allow.

My tiles are covered in moss. Does that affect the job?

Moss and lichen make the roof look older, and a new frame stands out against them. We choose a frame colour that settles in, and we do not strip the growth from tiles around the opening.

A flat rooflight seen from below, white plaster reveal and blue sky with cloud through the glass

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